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A retrospective of Ted Greene, virtuoso solo guitarist, beloved music teacher, world-renowned author and innovator of unique music concepts for guitar. This book also includes an overview of Ted Greene's early life and musical development, plus an insightful narrative of the 13 years prior to his death
- Sales Rank: #152137 in Books
- Published on: 2009-11-24
- Dimensions: 10.00" h x .63" w x 8.00" l,
- Binding: Paperback
- 276 pages
Most helpful customer reviews
0 of 0 people found the following review helpful.
This is not another guitar book.
By Atoivag Gardanish
Wonderfully written and of special interest anyone who knew or studied with Ted Greene.
0 of 0 people found the following review helpful.
Five Stars
By life without music
Excellent!
24 of 25 people found the following review helpful.
Required Reading
By Mark F. Bird
I studied with Ted for quite some time off and on starting at age 18 and had the opportunity to play in improvised sessions with him dozens of times. This was during the late 60's early 70's when you could often hear him play at the Attica, a music dinner type restaurant in lower Santa Monica, as well as other venues. I remember that he was working on his solo album as well as exploring studio recording opportunities. The most impressive thing to me was that despite how proficient and advanced he was, if a beginner/intermediate guitarist showed up for a session he would encourage them and let them sit in, while providing guidance along the way. This was not so of many musicians I encountered during my professional musician days. He was just that generous.
It was therefore not a surprise to hear that he had settled into a career as mostly a teacher while still, fortunately, for us, continuing to perform here and there. Although it has been said many times before ALL of Ted's books are required for any guitarist. No matter how accomplished you might be there is something in those texts for everyone. And despite his reputation as primarily a jazz chord player he could play single note solos as well or better than any player I have ever heard no matter how famous they might be. Therefore, the single note playing books are just as valuable as the chord books. It is just a shame that he did not have time to put together a rock/folk type instructional book because he knew those styles, techniques, and solos (Hendrix, Clapton etc.) as well as his beloved Bach Chorales and jazz.
In short, you should buy this book for the insights and appreciation it will provide to this exceptional, talented, and beautifully generous individual.
Mark Bird
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